HISTORY
There is little doubt that there was a church here in Saxon
times. The mention of a priest in Domesday Book confirms this.
The church was probably built of wood and no trace of the Saxon
church remains. Nor is anything known about Aelgiva, the Saxon
lady who is presumed to have founded the church and so given the
village the name it has held for over a thousand years.
The village was important in medieval times. The Bishop of
Worcester, who was Lord of the Manor, had a palace here, and many
bishops down to the sixteenth century lived here and conducted
their business from the palace. Perhaps because of the frequent
presence of the bishop and his court, in the thirteenth century,
Alvechurch was granted a weekly market, an annual fair, and later
the status of a borough. The dedication of the church to St
Laurence dates back at least to 1239, since the annual fair was
to be held "on the vigil, the day and the morrow of St
Laurence"
The
Building
The present church consists of a west tower, a nave with a broad
north aisle and a narrow south aisle, a south porch, and a
chancel.
The earliest feature remaining in the church is the late Norman
surround to the south doorway, which was dismantled and
re-erected in its present position during the nineteenth century.

The chancel retains parts of a sedilia of 13th century date, and
at the east end of the north aisle is the re-set priest' s door
to the chancel, also of 13th century date.
The north aisle has windows of 14th and 15th century design.
The tower was probably built in the 15th century, although the
diagonal buttresses could indicate a rather earlier date. The
upper part of the tower was partly rebuilt following storm damage
in 1676 (a date inscribed on a stone set into the west face of
the tower below the belfry windows). The only part of the tower
avowedly 17th century in appearance is the balustraded parapet.
Victorian
Restoration
In 1858 an ambitious rebuilding programme was undertaken under
the direction of the well-known 19th century church architect,
William Butterfield. The work included taking down and rebuilding
the chancel, nave and south porch as well as building a new south
aisle and re-roofing the north aisle. Red and white patterned
brickwork was incorporated into the work and the nave roof was
raised considerably and clerestory windows added. The restored
church was dedicated in 1861.
The external walls of the rebuilt church, with the exception of
the porch, are built of a combination of sandstone from
Bromsgrove and Alvechurch, skilfully combined to produce a
patterning of diapers and lines of buff stone against a pink
background. But the interior of the nave and chancel, although
having arcades of sandstone, use vivid red brick walls relieved
by white brick diapering in a style much favoured by Butterfield.
The steep pitched roofs have elegant trusses and exposed rafters.
The altar, standing on an encaustic tiled pavement, has a reredos
of flat sheets of alabaster set in tile work. above which is a
stained glass window illustrating six scenes from the Passion
narrative designed by a local architect, Preedy.

The font of Caen stone on marble columns commemorates Elizabeth
Sandford, the wife of the Rector at the time of the restoration.

The Organ
Fifteen years after the church had been rebuilt, an organ was
installed in the north aisle. In 1971 the organ was rebuilt by
Thomas Sheffield of Solihull and placed on a free standing
gallery in the north aisle. This instrument replaced an earlier
one built by the Hill Organ Company at the beginning of the
twentieth century.
The present organ has 1,348 pipes of which 180 came from the old
instrument.

The
Specification of the organ is:-
| Great Organ | Swell Organ | Pedal Organ |
| Double Dulciana 16' | Geigen Diapason 8' | Open Diapason Wood 16' |
| Open Diapason I 8' | Gedact 8' | Bourdon 16' |
| Open Diapason II 8' | Salicional 8' | Double Dulciana 16' |
| Stopped Diapason 8' | Voix Celeste TC 8' | Principal 8' |
| Dulciana 8' | Principal 4' | Bass Flute 8' |
| Principal 4' | Octave Flute 4' | Dulciana 8' |
| Dulcette 4' | Fifteenth 2' | Prestant 4' |
| Stopped Flute 4' | Cornet Tierce 13/5 | Octave Flute 4' |
| Twelfth 2 2/3 | Larigot 11/3 | Tromba 16' |
| Fifteenth 2' | Sifflote 1' | Trumpet 8' |
| Mixture 19-22-26 III | Double Trumpet 16' | |
| Trumpet 8' | Trumpet 8' | |
| Clarion 4' | ||
| Oboe 8' | ||
| Tremulant |
| Couplers | Thumb Pistons |
| Swell to Great | Four to Swell |
| Great to Pedal | Four to Great |
| Swell to Pedal | |
| Swell to Great | |
| Great to pedal-reversible |
The organ was dedicated on 28 February 1971 and an inaugural
recital was given that day by Christopher Robinson, MA, B.Mus,
FRCO, Organist of Worcester Cathedral.

Monuments
Medieval monuments in the church include a tomb slab in the
chancel with a floriated cross and arms of Bishop Carpenter
1443-1476, who is buried at Westbury, Bristol.
In the north aisle is a recess containing an effigy of a
cross-legged knight, probably Sir John Blanchfront. The armour
dates the figure to the mid 14th century.

Reset in the northwest corner of the north aisle is the brass of
Philip Chatwyn, 1524, Gentleman Usher to Henry VIII and a leading
tenant in Alvechurch at that time.
Also in the north aisle is a handsome mural monument to Edward
Moore, who died in 1746.
Bells
The tower houses a complete peal of eight bells. Originally there
was a peal of six, of unknown date, but they were recast in 1711.
The inscription on one these bells reads
"If you would know when we ware run It was March 22
1711" and another "Joseph Smith of Edgbaston made me
1711". The remaining two bells, to complete the peal, were
added in 1891.
Rectors
A complete list of Rectors from 1290 to the present day is
recorded on a board near the south porch door.
Both before and after the Reformation the living - a valuable one
- was often held by absentees and at times in plurality, so that,
until the 19th century the church was often served by a curate.
Many of the rectors have been men of importance in their time,
including a Chancellor of England, the notable antiquary Charles
Lyttleton later Bishop of Carlisle, and the nonconformist divine
Richard Moore who held the living during the Protectorate. Less
reputable characters were Robert de Wych (1290) who was deprived
of the living for public concubinage, amongst other faults, and
William Hollington, who was chaplain to Charles I, and whose
Puritan enemies accused him of being a frequenter of alehouses,
and of incontinency with neighbours' wives.