HISTORY
There is little doubt that there was a church here in Saxon times. The mention of a priest in Domesday Book confirms this. The church was probably built of wood and no trace of the Saxon church remains. Nor is anything known about Aelgiva, the Saxon lady who is presumed to have founded the church and so given the village the name it has held for over a thousand years.
The village was important in medieval times. The Bishop of Worcester, who was Lord of the Manor, had a palace here, and many bishops down to the sixteenth century lived here and conducted their business from the palace. Perhaps because of the frequent presence of the bishop and his court, in the thirteenth century, Alvechurch was granted a weekly market, an annual fair, and later the status of a borough. The dedication of the church to St Laurence dates back at least to 1239, since the annual fair was to be held "on the vigil, the day and the morrow of St Laurence"

The Building
The present church consists of a west tower, a nave with a broad north aisle and a narrow south aisle, a south porch, and a chancel.
The earliest feature remaining in the church is the late Norman surround to the south doorway, which was dismantled and re-erected in its present position during the nineteenth century.



The chancel retains parts of a sedilia of 13th century date, and at the east end of the north aisle is the re-set priest' s door to the chancel, also of 13th century date.
The north aisle has windows of 14th and 15th century design.
The tower was probably built in the 15th century, although the diagonal buttresses could indicate a rather earlier date. The upper part of the tower was partly rebuilt following storm damage in 1676 (a date inscribed on a stone set into the west face of the tower below the belfry windows). The only part of the tower avowedly 17th century in appearance is the balustraded parapet.


Victorian Restoration
In 1858 an ambitious rebuilding programme was undertaken under the direction of the well-known 19th century church architect, William Butterfield. The work included taking down and rebuilding the chancel, nave and south porch as well as building a new south aisle and re-roofing the north aisle. Red and white patterned brickwork was incorporated into the work and the nave roof was raised considerably and clerestory windows added. The restored church was dedicated in 1861.
The external walls of the rebuilt church, with the exception of the porch, are built of a combination of sandstone from Bromsgrove and Alvechurch, skilfully combined to produce a patterning of diapers and lines of buff stone against a pink background. But the interior of the nave and chancel, although having arcades of sandstone, use vivid red brick walls relieved by white brick diapering in a style much favoured by Butterfield. The steep pitched roofs have elegant trusses and exposed rafters.
The altar, standing on an encaustic tiled pavement, has a reredos of flat sheets of alabaster set in tile work. above which is a stained glass window illustrating six scenes from the Passion narrative designed by a local architect, Preedy.



The font of Caen stone on marble columns commemorates Elizabeth Sandford, the wife of the Rector at the time of the restoration.



The Organ
Fifteen years after the church had been rebuilt, an organ was installed in the north aisle. In 1971 the organ was rebuilt by Thomas Sheffield of Solihull and placed on a free standing gallery in the north aisle. This instrument replaced an earlier one built by the Hill Organ Company at the beginning of the twentieth century.
The present organ has 1,348 pipes of which 180 came from the old instrument.

The Specification of the organ is:-

Great Organ Swell Organ Pedal Organ
Double Dulciana 16' Geigen Diapason 8' Open Diapason Wood 16'
Open Diapason I 8' Gedact 8' Bourdon 16'
Open Diapason II 8' Salicional 8' Double Dulciana 16'
Stopped Diapason 8' Voix Celeste TC 8' Principal 8'
Dulciana 8' Principal 4' Bass Flute 8'
Principal 4' Octave Flute 4' Dulciana 8'
Dulcette 4' Fifteenth 2' Prestant 4'
Stopped Flute 4' Cornet Tierce 13/5 Octave Flute 4'
Twelfth 2 2/3 Larigot 11/3 Tromba 16'
Fifteenth 2' Sifflote 1' Trumpet 8'
Mixture 19-22-26 III Double Trumpet 16'  
Trumpet 8' Trumpet 8'  
  Clarion 4'  
  Oboe 8'  
  Tremulant  

 

Couplers Thumb Pistons
Swell to Great Four to Swell
Great to Pedal Four to Great
Swell to Pedal  
Swell to Great  
Great to pedal-reversible  


The organ was dedicated on 28 February 1971 and an inaugural recital was given that day by Christopher Robinson, MA, B.Mus, FRCO, Organist of Worcester Cathedral.



Monuments
Medieval monuments in the church include a tomb slab in the chancel with a floriated cross and arms of Bishop Carpenter 1443-1476, who is buried at Westbury, Bristol.
In the north aisle is a recess containing an effigy of a cross-legged knight, probably Sir John Blanchfront. The armour dates the figure to the mid 14th century.



Reset in the northwest corner of the north aisle is the brass of Philip Chatwyn, 1524, Gentleman Usher to Henry VIII and a leading tenant in Alvechurch at that time.
Also in the north aisle is a handsome mural monument to Edward Moore, who died in 1746.


Bells
The tower houses a complete peal of eight bells. Originally there was a peal of six, of unknown date, but they were recast in 1711. The inscription on one these bells reads
"If you would know when we ware run It was March 22 1711" and another "Joseph Smith of Edgbaston made me 1711". The remaining two bells, to complete the peal, were added in 1891.


Rectors
A complete list of Rectors from 1290 to the present day is recorded on a board near the south porch door.
Both before and after the Reformation the living - a valuable one - was often held by absentees and at times in plurality, so that, until the 19th century the church was often served by a curate.
Many of the rectors have been men of importance in their time, including a Chancellor of England, the notable antiquary Charles Lyttleton later Bishop of Carlisle, and the nonconformist divine Richard Moore who held the living during the Protectorate. Less reputable characters were Robert de Wych (1290) who was deprived of the living for public concubinage, amongst other faults, and William Hollington, who was chaplain to Charles I, and whose Puritan enemies accused him of being a frequenter of alehouses, and of incontinency with neighbours' wives.

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